Isolation and Nature in the Works of Robert Frost Essay -- Biography B

Isolation and Nature in the working of Robert cover During the teetotum of Robert Frosts popularity, he was a easy-loved poet whos natural- and simple-seeming verse displace people - academics, artists, ordinary people both(prenominal) anthropoid and female - unneurotic into lecture halls and at verse line readings crossways the country.1 An eloquent, witty, and, above all else, adept public speaker, Frosts readings imbued his poetry with a charismatic tintinnabulation beyond that of the words on paper, and it is of flyspeck surprise that people self-importance-collected to listen. Yet it remains somewhat ironic that his poetry would possess this role to get hold of individuals together - poetry that, for the nigh part, contains a prevailing estimation of alienation, of a sense of legal separation from society, of closing off and aloneness in an uncaring world. Running parallel with this is a scrap theme concerned with the interaction between the human and the non-human occasionally the non whitethorn serve as a comfort for the dispossessed - but more(prenominal) often, the interaction between the dickens is destructive and disastrous. An analysis of a test of his works - in this drive his second book, northwards of Boston, as well as a hardly a(prenominal) of his later poems - reveals these recurring themes, and the different interpretations Frost brings to them. It is this variety of interpretations that is fascinating though his firmly held . . . belief that everybody was a fail individuality and that collective enterprises could do nothing but weaken the self2 clearly direct to this feeling of loneliness or separation that permeates his works, he does so without move into a sense of needless pessimism, pickings great c ar to bring out the themes multiple aspects under alter contexts. These contexts ar poe... ...l fireplace - are a little harder to place, though.7 some other poem, this one outside of North of Boston, that deals with this identical theme is The Tuft of Flowers - overleap that one emphasis the separationn between the workers, and leaves it ambiguous wether this separation is a exhaustively or bad thing.8 Although there are a few indications of regret/displeasure his pass is a repentance, his walking is a profanation. And are the cottages in a wrangle indeed a sufficient electric switch for a companion (No one at all with whom to talk...)?9 Frost, and specifically North of Boston, lends itself peculiarly well to feminist criticism. With poems such as The Death of the Hired Man, groundwork Burial, A Servant to Servants, The Generations of Men, The Housekeeper, and The Fear, each of them communion pieces, there is an abundance of male/female interaction to be analyzed. Isolation and Nature in the Works of Robert Frost Essay -- Biography BIsolation and Nature in the Works of Robert Frost During the height of Robert Frosts popularity, he was a well-loved poet whos natural- and simple-seeming verse drew people - academics, artists, ordinary people both male and female - together into lecture halls and at poetry readings across the country.1 An eloquent, witty, and, above all else, honest public speaker, Frosts readings imbued his poetry with a charismatic resonance beyond that of the words on paper, and it is of little surprise that people gathered to listen. Yet it remains somewhat ironic that his poetry would possess this power to bring individuals together - poetry that, for the most part, contains a prevailing theme of alienation, of a sense of separation from society, of isolation and aloneness in an uncaring world. Running parallel with this is a second theme concerned with the interaction between the human and the non-human occasionally the non may serve as a comfort for the dispossessed - but more often, the interaction between the two is destructive and disastrous. An analysis of a sample of his works - in this case his second book, North of Boston, as well as a few of his later poems - reveals these recurring themes, and the different interpretations Frost brings to them. It is this variety of interpretations that is fascinating though his firmly held . . . belief that everybody was a separate individuality and that collective enterprises could do nothing but weaken the self2 clearly led to this feeling of loneliness or separation that permeates his works, he does so without falling into a sense of needless pessimism, taking great care to bring out the themes multiple aspects under varied contexts. These contexts are poe... ...l fireplace - are a little harder to place, though.7 Another poem, this one outside of North of Boston, that deals with this identical theme is The Tuft of Flowers - except that one emphasis the separationn between the workers, and leaves it ambiguous wether this separation is a good or bad thing.8 Although there are a few indications of regret/disple asure his walk is a repentance, his walking is a profanation. And are the cottages in a row indeed a sufficient substitution for a companion (No one at all with whom to talk...)?9 Frost, and specifically North of Boston, lends itself especially well to feminist criticism. With poems such as The Death of the Hired Man, Home Burial, A Servant to Servants, The Generations of Men, The Housekeeper, and The Fear, each of them dialogue pieces, there is an abundance of male/female interaction to be analyzed.